Music
57 Instructors / 103 Courses
Browse by professor
- Adan, Victor
- Amir Arjomand, Ramin
- Archer, Gail
- Boerger, Kristina
- Boynton, Susan
- Buchenholz, Chris
- Casselberry, Judith
- Chung, Rachel
- Cohen, David
- Currier, Sebastian
- Debellis, Mark
- Dubiel, Joseph
- DuBois, Luke
- Edwards, George
- Feld, Marlon
- Fox, Aaron
- Frisch, Walter
- Garton, Bradford
- Gerbino, Giuseppe
- Gray, Ellen
- Henson, Karen
- Iovino, Francisco
- Kerkour, Brahim
- Lee, Johnathan
- Lerdahl, Alfred
- Levy, Fabien
- Lewis, George
- Lunsqui, Alexandre
- McMahan, Jane
- Milarsky, Jeffrey
- Mongiardo, Josephine
- Monroe, Mary
- Murail, Francoise
- Oakes, Jason
- Ostbye, Niels
- Park, Christopher
- Pender, Terence
- Rosenberger, Katarina
- schmeder, max
- Schmeder, Maximillian
- Sewell, Eric
- Sisman, Elaine
- Skelly, Michael
- Soper, Katharine
- Susser, Peter
- Szwed, John
- Tallgren, Johan
- Tzotzkova, Victoria
- Uchida, Reiko
- Voss, Carlton
- Wang, Lu
- Washburne, Christopher
- Weidman, Amanda
- White, Graeme
- Youell-Fingleton, Amber
- Zimerli, Patrick
- Zimmerli, Patrick
Browse by course
- [MUSI V2314] Ear Training I
- [MUSI V2315] Ear Training II
- [V2205-V2206] MIDI Music Production Techniques
- [MUSI V3128] History of Western Music - Ancient through Baroque
- [MUSI V3310] Techniques of 20th Century Music
- The Social Science of Music
- 20th Century Composition
- A History of Country Music
- Advanced Counterpoint
- Advanced Piano Instruction
- American Musical
- Asian Music Hum
- BC1001-BC1002 Introduction to Music
- BC1001-BC1002 Introduction to Music; Choir
- BC3140 Introduction to Vocal Rep. and Technique
- Bach Vocal Music
- Basic Electroacoustics
- Beethoven
- Chorus
- Chromatic Harmony and Counterpoint
- Chromatic Harmony and Counterpoint I
- Chromatic Harmony and Counterpoint I, II
- Columbia-Barnard Chorus
- Conducting Music of Our Time
- Country Music, Music and Language
- Diatonic
- Diatonic 2319
- Diatonic Harmony
- Diatonic Harmony & Counterpoint
- Diatonic Harmony and Counterpoint
- Diatonic I and II
- Ear Training III
- Ear Training IV
- Ear Training V
- Ear-Training
- Elementary Piano Instruction II
- Fund. of Western Music
- Fundamentals
- Fundamentals of Music
- Fundamentals of Western Music
- Fundamentals of Western Music V1002
- Harmony and Counterpoint (Diatonic/Chromatic)
- History of African American Music
- History of Music I: Middle Ages to Baroque
- Instrumentation
- Intermediate Piano Instruction
- Intro to Jazz
- Intro to Music
- Intro to Music I, II
- Intro to Music II
- Intro to Music Part II
- Intro to Music, I
- Intro to Music, I and II
- Intro. to Ear-Training
- Introduction to Ear Training
- Introduction to Music
- Introduction to Piano
- Introduction to Vocal Repertoire
- Jazz
- Jazz/Improvised Music After 1950
- MIDI Music Production Techniques
- MUSC 3139 Introduction to Vocal Rep.
- Middle Ages and Renaisance
- Mozart
- Mozart V2024
- Music History II
- Music and Language
- Music in the United States
- Music of Brahms
- Music of the Baroque
- Music of the Middle Ages & Renaissance
- Music of the Middle Ages and Renaissance
- Music, Race, & Nation
- Musics of India and West Asia
- Opera
- Organ
- Organ Instruction
- Piano
- Piano (beginner)
- Piano Instruction
- Piano Lessons
- Popular Musics of the Caribbean
- Popular Musics of the Caribbean: Salsa, Soca, and Reggae
- Recorded Sound
- Rock
- Stravinsky and Instrumentation
- The Opera
- V1002 Fundamentals of Western Music
- V1593-V1594 Barnard-Columbia Chorus
- V2016 Jazz
- V2020 Salsa, Soca, Reggae: Popular Music of the Caribbean
- V2023 Beethoven; V2023 Mozart; V3125 Music of the Classical and Romantic Periods
- V2023 Mozart; V2026 The Symphony
- V2025 The Opera
- V2315 Ear-Training II
- V2318-V2319 Diatonic Harmony and Counterpoint
- V3124 Music of the Baroque
- V3125 Music of the Classical and Romantic Periods
- V3140 Vocal Repertoire, Technique, and Expression
- V3321-V3322 Chromatic Harmony and Counterpoint
- intro to piano