review comment

V1593-V1594 Barnard-Columbia Chorus

Departments: Music

Professors: Gail Archer

July 06, 2010

Archer, Gail Silver_nugget
V1593-V1594 Barnard-Columbia Chorus

I couldn't say enough good things about Gail and the choir. Rarely have I met a person who is more devoted to her career, her students, music and life in general. Always bubbly, extremely knowledgable and able to draw out a nice sound from her choir, Gail does what is needed to make a quality choir with intensely busy students. Her semi-relaxed philosophy when it comes to attendance and practice time seems a little bit too lax, but after listening to her explain her methods, they make perfect sense. She's relaxed and always pleasant because it gets more people to join, and we always pull it off wonderfully when the concert comes around. As an outlet for the experienced and unexperienced alike, I fully recommend the choir to everyone (guys especially - we need more of you!). As another reviewer said, we are a family, and we'll welcome you with open arms.

Workload:

Learn your music and know it well. Come as often as you need to in order to be prepared and comfortable for the concert. No extra work, unless you decide to sing a solo.

January 08, 2009

Archer, Gail Silver_nugget
V1593-V1594 Barnard-Columbia Chorus

Gail is fantastic. The choir is like a family - she loves us all, and it shows in her treatment of the group. She picks great music, is very patient with the choir as we learn the pieces, and always has some insight to offer in any situation. She arranges to feed us once a month - we get lasagna and salad and bond as a choir. There's a lot of student leadership, and she always encourages us to get involved.

There is absolutely no reason for you to not take this class. Trust me.

Workload:

Show up. Sing. Eat lasagna when offered the opportunity. Sing in the concert. Pretty straightforward. Very flexible attendance policy - if you can only come once a week, it's totally okay! Very low on stress.

January 30, 2003

Archer, Gail Silver_nugget
V1593-V1594 Barnard-Columbia Chorus

Please keep in mind that this review is more than 5 years old.

All I have to say is, I only wish I can be as passionate about whatever field I choose to pursue as Gail is about classical music. I only wish there were more guys in the choir so we could sound a little more balanced in terms of voice range. But she's found ways to work around it, and the end product has never disappointed.

Workload:

It's chorus. There are rehearsals. You sing twice a week. And she's somewhat lenient about attendance -- understands if you have recurring commitments some days and says to show up when you can "because you love to sing."

December 11, 2001

Archer, Gail Silver_nugget
V1593-V1594 Barnard-Columbia Chorus

Please keep in mind that this review is more than 5 years old.

This woman is a goddess. She is incredibly enthusiastic about both the music and her students.

December 11, 2001

Archer, Gail Silver_nugget
V1593-V1594 Barnard-Columbia Chorus

Please keep in mind that this review is more than 5 years old.

Gail is the most amazing professor at Barnard -- at Columbia -- in the Ivy League -- in America -- in the world! I love her! She is musically brilliant *AND* loves what she is doing. She has been a musician all of her life and is currently one of New York's premier Baroque organists. She is on her way to becoming famous, but she is still incredibly down-to-earth and compassionate. She cares sooooooo much about her chorus and is constantly thinking of ways to improve the program -- not that it needs it. She gets her kids to sound fabulous, and the Candlelight Concerts in December are lovely.

Workload:

It's P/F and Gail doesn't know how to fail a student. She loves them too much. Just show up and sing and she'll love you forever.

May 10, 2001

Archer, Gail Silver_nugget
V1593-V1594 Barnard-Columbia Chorus

Please keep in mind that this review is more than 5 years old.

Musically, the woman is brilliant. She can get a great sound out of the chorus in no time, and her love for the music is infectious. However, I take issue with some of the organizational quirks of the chorus. For example, she always hires "professional" soloists rather than taking them from within the chorus. Some of these soloists are actually pretty bad, and there are usually about five people in each section who could do a better job. Similarly, why use an orchestra from the Manhattan School of Music when you could easily contract a Columbia orchestra? Such actions would increase the chorus's prominence on the Columbia campus; right now few people know it exists. One other thing I find annoying: she is constantly advertising her organ performances, even ones as distant as Boston and Phoenix, and then after each one, she can't resist telling us all how wonderfully it went. I'm glad you had fun, Gail, but really, who cares? Overall, these are minor quibbles when you think about what a fantastic conductor she is; I just wish she'd run things a little differently.

Workload:

Rehearsals twice a week for two hours; very nice and understanding about attendance conflicts.

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